As a teenager, I was not aware that the meeting of these two men, Leo Ayotte and Marcel Bellerive who I follow creative workshops, drawing, charcoal in the 1960s, would bring me later to painting.
Multidisciplinary self-taught painter, my first steps are done in acrylic and brush. For several years, I have developed many ways to work with acrylic on canvas, whether the taping of a canvas with tissue paper, apply mortar structure, collages and others for textured, then I was getting ready with a background color, and then I drew my sketches, I then painted in warm colors or soft depending on my inspiration. Thence came out several series, themed sheep with scarves and hats, a themed series on the most beautiful streets and houses of my adopted city, flowers and many others.
A big change in my way of painting occurred in 2012, when an aunt of mine gave me a gift spatulas as well as oil tubes. It was "Love at first sight snapshot" for these two mediums, oil I appreciate the brilliance, flexibility and versatility. The spatula that has become my favorite tool, it is as if these two mediums have long awaited me.
Paint was already a passion! From that time it has become an essential need. Wishing to develop a style more and more refined, reflecting the freedom, the peace, the joy of living, or whether simply to capture a moment of life, a memory. I take my inspiration from nature around me, by what comes in, "a sailboat geese wandering in the sky, a sail boat moored in the cove of a river, a fall of an overflowing cliff "in constant exploration according to the inspiration felt instinctively I handle a palette of various colors that I transform the rhythm of my spatula.
My location between figurative and impressionism without any time to cross the line, which gives me a lot of latitude in designing my themes. My creative process is quick, vigorous, without prior sketches.
While I draw inspiration from reality, will implement it in my style, which is the essence of my creations. I do not seek perfection of the subject in detail, but rather the emotion that will be felt by the viewer.
Once the work is completed, it must first talk about herself and be a door open to interpretation